FOR God's sake hold your tongue, and let me love;
Or chide
my palsy, or my gout;
My five gray hairs, or ruin'd fortune flout;
With wealth your state, your mind with arts improve;
Take you a course,get
you a place,
Observe
his Honour, or his Grace;
Or the king's real, or his stamp'd face
Contemplate; what you will,approve,
So you will let me love.
Alas ! alas ! who's injured by my love?
What merchant's ships have my
sighs drown'd?
Who says my tears have overflow'd his ground?
When did
my colds a forward spring remove?
When did the heats which my veins fill
Add one more to the plaguy bill?
Soldiers find wars, and lawyers find
out still
Litigious men, which quarrels move,
Though she and I do
love.
Call's what you will, we are made such by love;
Call her one, me another fly,
We're tapers too,
and at our own cost die,
And we in us find th' eagle and the dove.
The phoenix riddle hath more wit
By
us; we two being one, are it;
So, to one neutral thing both sexes fit.
We die and rise the same, and prove
Mysterious by this love.
We can die by it, if not live by love,
And if unfit for or hearse
Our legend be, it will be fit
for verse;
And if no piece of chronicle we prove,
We'll build in
sonnets pretty rooms;
As well a well-wrought urn becomes
The greatest
ashes, as half-acre tombs,
And by these , all shall approve
Us for
love;
And thus invoke us, "You, whom love
Made one another's
hermitage;
You, to whom love was peace, that now is rage;
Who did the
whole world's soul contract, and drove
Into
the glasses of your eyes;
So made such mirrors, and such spies,
That
they did all to you epitomize—
Countries, towns, courts beg from above
A pattern of your love."
BUSY old fool, unruly Sun,
Why dost thou thus,
Through windows, and
through curtains, call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices;
Love, all
alike, no season knows nor clime,
Nor hours, days, months, which are the
rags of time.
Thy beams so reverend, and strong
Why shouldst thou think?
I could
eclipse and cloud them with a wink,
But that I would not lose her sight so
long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th' Indias of spice and mine
Be
where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, "All here in one bed lay."
She's all states, and all princes I;
Nothing else is;
Princes do but
play us; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world,
that's done in warming us.
WHEN last I died, and, dear, I die
As often as from thee I go,
Though it be but an hour ago
—And lovers' hours be full eternity—
I
can remember yet, that I
Something did say, and something did bestow;
Though I be dead, which sent me, I might be
Mine own executor, and
legacy.
I heard me say, Tell her anon,
That myself," that is you, not I,
"
Did kill me," and when I felt me die,
I bid me send my heart, when I was
gone;
But I alas ! could there find none;
When I had ripp'd, and
search'd where hearts should lie,
It kill'd me again, that I who still was
true
In life, in my last will should cozen you.
Yet I found something like a heart,
But colours it, and corners had;
It was not good, it was not bad,
It was entire to none, and few had
part;
As good as could be made by art
It seem'd, and therefore for
our loss be sad.
I meant to send that heart instead of mine,
But O !
no man could hold it, for 'twas thine.
MARK but this flea, and mark in this,
How little that which thou deniest me is;
It
suck'd me first, and now sucks thee,
And in this flea our two bloods
mingled be.
Thou know'st that this cannot be said
A sin, nor shame,
nor loss of maidenhead;
Yet this enjoys before it woo,
And pamper'd
swells with one blood made of two;
And this, alas ! is more than we would
do.
O stay, three lives in one flea spare,
Where we
almost, yea, more than married are.
, and this
Our
marriage bed, and marriage temple is.
Though parents grudge, and you, we're
met,
And cloister'd in these living walls of jet.
Though use make you
apt to kill me,
Let not to that self-murder added be,
And
sacrilege, three sins in killing three.
Cruel and sudden, hast thou since
Purpled thy nail in blood of
innocence?
Wherein could this flea guilty be,
Except in that drop
which it suck'd from thee?
Yet thou triumph'st, and say'st that thou
Find'st not thyself nor me the weaker now.
'Tis true; then learn how false
fears be;
Just so much honour, when thou yield'st to me,
Will waste,
as this flea's death took life from thee.
I am two fools, I know,
For loving, and for saying so
In whining
poetry;
But where's that wise man, that would not be I,
If she would
not deny ?
Then as th' earth's inward narrow crooked lanes
Do purge
sea water's fretful salt away,
I thought, if I could draw my pains
Through rhyme's vexation, I should them allay.
Grief brought to numbers
cannot be so fierce,
For he tames it, that fetters it in verse.
But when I have done so,
Some man, his art and voice to show,
Doth
set and sing my pain;
And, by delighting many, frees again
Grief,
which verse did restrain.
To love and grief tribute of verse belongs,
But not of such as pleases when 'tis read.
Both are increasèd by such
songs,
For both their triumphs so are published,
And I, which was two
fools, do so grow three.
Who are a little wise, the best fools be.
TWICE or thrice had I loved thee,
Before I knew thy face or name;
So
in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be.
Still when, to where thou wert, I came,
Some lovely glorious nothing
did I see.
But since my soul, whose child love is,
Takes limbs of
flesh, and else could nothing do,
More subtle than the parent is
Love
must not be, but take a
body too;
And therefore what thou wert, and who,
I bid Love ask, and
now
That it assume thy body, I allow,
And fix itself in thy lip, eye,
and brow.
Whilst thus to
And
so more steadily to have gone,
With wares which would admiration,
I saw I had love's pinnace
overfraught;
Thy every hair for love to work upon
Is much too much;
some fitter must be sought;
For, nor in nothing, nor in things
Extreme, and scattering bright, can love inhere;
Then as an angel face and
wings
Of air, not pure as it, yet pure doth wear,
So thy love may be
my love's sphere;
Just such disparity
As is 'twixt air's and angels'
purity,
'Twixt women's love, and men's, will ever be.
I can love both fair and brown;
Her whom abundance melts, and her whom want
betrays;
Her who loves loneness best, and her who masks and plays;
Her
whom the country form'd, and whom the town;
Her who believes, and her who
tries;
Her who still weeps with spongy eyes,
And her who is dry cork,
and never cries.
I can love her, and her, and you, and you;
I can love
any, so she be not true.
Will no other vice content you ?
Will it not
serve your turn to do as did your mothers ?
Or have you all old vices spent,
and now would find out others ?
Or doth a fear that men are true torment you
?
O we are not, be not you so;
Let me—and do you—twenty know;
Rob me, but bind me not,
and let me go.
Must I, who came to travel
thorough you,
Grow your fix'd subject, because you are true?.
Venus heard me sigh this song;
And by love's sweetest part, variety, she
swore,
She heard not this till now; and that it should be so no more.
She went, examined, and return'd ere long,
And said, "Alas ! some two or
three
Poor heretics in love there be,
Which think to stablish
dangerous constancy.
But I have told them,'Since you will be true,
You
shall be true to them who're false to you.'"
I have done one braver thing
Than all the Worthies did;
And yet a
braver thence doth spring,
Which is, to keep that hid.
It were but madness now to impart
The skill of specular stone,
When
he, which can have learn'd the art
To cut it, can find none.
So, if I now should utter this,
Others—because no more
Such stuff
to work upon, there is—
Would love but as before.
But he who loveliness within
Hath found, all outward loathes,
For
he who color loves, and skin,
Loves but their oldest clothes.
If, as I have, you also do
Virtue in woman see,
And dare love that,
and say so too,
And forget the He and She;
And if this love, though placèd so,
From profane men you hide,
Which will no faith on this bestow,
Or, if they do, deride;
Then you have done a braver thing
Than all the Worthies did;
And a
braver thence will spring,
Which is, to keep
that hid.
I'LL tell thee now (dear love) what thou shalt do
To anger destiny, as she
doth us;
How I shall stay, though she eloign me thus,
And how
posterity shall know it too;
How thine may out-endure
Sibyl's glory,
and obscure
Her who from Pindar could allure,
And her, through whose
help Lucan is not lame,
And her, whose book (they say) Homer did find, and
name.
Study our manuscripts, those myriads
Of
letters, which have past 'twixt thee and me;
Thence write our annals, and in them will be
To all whom love's
subliming fire invades,
Rule and example found;
There the faith of
any ground
No schismatic will dare to wound,
That sees, how Love
this grace to us affords,
To make, to keep, to use, to be these his
records.
This book, as long-lived as the elements,
Or as the world's form, this
all-gravèd tome
In cypher writ, or new made idiom;
We for Love's
clergy only are instruments;
When this
book is made thus,
Should again the ravenous
Vandals and Goths
invade us,
Learning were safe; in this our universe,
Schools might
learn sciences, spheres music, angels verse.
Here Love's divines—since all divinity
Is love or wonder—may find all they seek,
Whether abstract spiritual
love they like,
Their souls exhaled with what they do not see;
Or,
loth so to amuse
Faith's infirmity, they choose
Something which they
may see and use;
For, though mind be the heaven, where love doth sit,
Beauty a convenient type may be to
figure it.
Here more than in their books may lawyers find,
Both by what titles
mistresses are ours,
And how prerogative these states devours,
Transferr'd from Love himself, to womankind;
Who, though from heart and
eyes,
They exact great subsidies,
Forsake him who on them relies;
And for the cause, honour, or conscience give;
Chimeras vain as they
or their prerogative.
Here statesmen—or of them, they which can read—
May of their occupation
find the grounds;
Love, and their art, alike it deadly wounds,
If to
consider what 'tis, one proceed.
In both they do excel
Who the
present govern well,
Whose weakness none doth, or dares tell;
In
this thy book, such will there something see,
As in the Bible some can find out alchemy.
Thus vent thy thoughts; abroad I'll study thee,
As he removes far off, that great heights takes;
How great love is,
presence best trial makes,
But absence tries how long this love will be;
To take a latitude
Sun, or stars, are fitliest view'd
At
their brightest, but to conclude
Of longitudes, what other way have we,
But to mark when and where the dark eclipses be?
DEAR love, for nothing less than thee
Would I have broke this happy
dream;
It was a theme
For reason, much too strong for fantasy.
Therefore thou waked'st me wisely; yet
Thou art so true that thoughts of thee suffice
To make
dreams truths, and fables histories;
Enter these arms, for since thou thought'st it
best,
Not to dream all my dream, let's
As lightning, or a taper's
light,
Thine eyes, and not thy noise waked me;
Yet I thought
thee
—For thou lovest truth—an angel, at first sight;
But when I saw
thou saw'st my heart,
And knew'st my thoughts beyond an angel's art,
When thou knew'st what I dreamt, when thou knew'st when
Excess of joy would
wake me, and camest then,
I must confess, it could not choose but be
Profane, to think thee any thing but thee.
Coming and staying show'd thee, thee,
But rising makes me doubt, that
now
Thou art not thou.
That love is weak where fear's as strong as
he;
'Tis not all spirit, pure and brave,
If mixture it of fear, shame,
honour have;
Perchance as torches, which must ready be,
Men light and
put out, so thou deal'st with me;
Thou camest to kindle, go'st to come; then
I
Will dream that hope again, but else would die.
In "The Canonization," Donne uses "let him love." He tells readers that his love his so beautiful that nothing in the world can taint it.
in order to display the paradox of the lovers and the canonization of the saints in the Early church. In the beginning of the poem, Donne asks readers to leave him alone and toDonne also uses biblical allusions to invoke a religious aspect to his love. He reminds readers of the Biblical dove and its beauty.
The most powerful instrument of this poem, however, is Donne's famous use of
where he compares two very unlike things in what is called a "intellectualized comparison. Donne compares the canonization, or creation of saints in the Early church, to his love. Like the saints, him and his lover will be remembered, forever entombed in "little sonnets" just like the one he has written.In "The Sun Rising," Donne compares the sun to his love. He argues that
The speaker of the poem starts the first stanza by asking the sun to go away and let him and his lover be. In the second stanza, however, the speaker challenges the son, saying that any brightness from the sun he and his lover could "cloud...in a wink." In the end, it is the brightness of the sun that the speaker mirrors through his love. In the last lines of the poem, Donne uses to say that the lovers' bed is the for the sun itself.In "The Legacy", Donne professes his sincere love to a woman. He expresses how he would die without her love. What is peculiar about "The Legacy" is that Donne refrains from using any of the literary devices usually attributed to him. Instead, Donne is very clear and straight-forward, saying that his lover's heart is "as good as can be made by art" and declares the perfection of his lover most ardently.
In The Flea, Donne questions his lady by comparing "The Flea" that has already mingled their blood to a matimonial ceremony. Donne argues that the two are more than married and that she would lose no more virtue sleeping with him than killing the flea. Donne
saying that he is so connected to her already there is no reason they should not have intercourse. Just as neither he nor his lover are "weaker now" after being sucked by the flea, the speaker urges his lover that she will be none the weaker or more sinful for having intercourse with him.In "The Triple Fool," Donne is referring to himself as the "triple fool." He is first a fool for falling in love, and secondly a fool for telling others about his love. Lastly, Donne is most a fool for believing that writing about his grief and his loss of love would make his heartache better. In reality, his pain is "increased by such songs." Poetry only makes his pain worse and, indeed, the more he analyzes and dwells on his pain the worse he feels.
While the definative meaning of "Air and Angels" is difficult to determine, this poem illustrates love as something not earthly, buth rather something extraordinary and inexplainable. Donne creates a blibical allusion, saying that angels' worship the love he shares with his lover. He says that love is some "lovely glorious nothing" that readers cannot really understand;.
Donne again utilizes metaphysical conceit by
. He writes that his love is "ballast;" like water from other regions trapped in the bottom of ships, love seems to come from somewhere else than earth.As one of John Donne's earlier poems, "The Indifferent" is simple to understand and most obviously mocks the pious ideas of the early Church. In the first stanza Donne brags about his multiple love partners and asks his lover why he ought to be true and honest to his lover just because she is honest and meanignful in each of her love affairs. He commands her, saying, "rob me, but bind me not."Donne argues that love should be varied and that the pious idea of inoccence and honesty in love is unecessary. In the last line of the poem, Donne tells his readers that honesty in love is useless because your love partners will not intend to be honest and true (at least if they are anything like Donne).
While many people have various interpretations of "The Undertaking," most critics agree that it is most clearly a poem about homosexuality. Donne calls what he did "brave," but remarks that his greatest achievement was to "keep it hid." It would be "madness" to reveal his secret, but, if he were to reveal himself, his friends and family might "love" him as they once did. In the end though, Donne reminds himself that he must keep his secret hidden.
"Valediction to His Book"
"Valediction to His Book" is probably the most difficult of the poems in the collection to understand. While I myself do not know all of the allusions and the full meaning behind this poem, this love poem again allows the speaker to tell his lover how much he ardently loves her. He says that "mind be the heaven, where love doth sit." He akins love to "divinity and continues says that their love is so grand it is as pious and holy and divine as all that is holy in the church.
Just like "The Flea," "The Dream" allows Donne to question his lover and try and coax her to have intercourse with him. Using the act out the rest" since she has woken him from his sleep. It would be "profane" for the speaker to think of anything upon waking from a dream about his lover than to want his lover. The speaker ends the poem by coaxing his lover that it is his "hope" to fulfill his "happy dream" with her.
, Donne asks his lover if they might not "